Women’s stories dominate Venice Film Festival
Michelle Williams in Meek's Cutoff In a very interesting piece in Variety writer Justin Chang says that it is the Year of the Woman at the Venice Film Festival. He starts off talking about the stark sexuality that he has seen in some movies. Films that show actual female bodies. He lingers on the film Black Venus which is about how the woman known as the Hottentot Venus was exploited in Europe in the 19th century. And remember, they haven’t gotten to Julie Taymor’s closing film The Tempest. He says that the film:
He also makes the point that three women’s films — Athina Rachel Tsangari’s Attenberg, Kelly Reichardt’s Meek’s Cutoff and Sofia Coppola’s Somewhere — are deservedly in the competition. That’s where he lost me. Would anyone ever talk about a film directed by man and say that it “merited inclusion?” But he also stands up for Coppola whose new film is not getting great buzz or reviews and reminds people that it is in the same vein as Lost in Translation which was lauded by critics and got her an Oscar nomination for best director. He asks:
As an American, he knows how bad it sucks for women here and so it is nice to see someone talk about how there are so many great films being made about women outside the US. This is my favorite line of the piece:
Those of here in the US would love to see some of the great stories about women at Venice here at home.
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